who is the king of music of all time

"I've tried to sound ironic. "They're just thorns without the rose." ", The Beach Boys' resident genius wrote gloriously ecstatic California anthems such as "Fun Fun Fun," "I Get Around" and "California Girls," rock & roll's greatest odes to idyllic summertime freedom. It's not a particularly generous mystery, but other people have that experience with matrimony anyway." ", "The words just came tumbling out of me," Petty said of "American Girl," his greatest song and first hit single. ("It's like you're getting beamed it," Yorke has said, "like with a ouija board"). He's telling you the truth and making fun of you at the same time. Leiber and Stoller are rock & roll's first great songwriting team, two Jewish kids who turned their love of rhythm and blues into a run of hits marked by their musical inventiveness and lyrical boldness. But John Prine has always had the innate ability to emphatically capture the highs, lows and occasional laughs of everyday Americans and fringe characters: the drug-addled vet in "Sam Stone," the lonely older folks in "Angel from Montgomery" and "Hello in There." At 80, he's still our greatest living late-night poet. Swift's first three albums display her emotional yet uncommonly inventive country style even early hits like "Our Song" and "Tim McGraw" sound like nobody else. Dylan, everything he sings has two meanings. From the disco-fizzy 1993 Debut to the bleakly magnificent 2015 Vulnicura, it hasn't failed her yet. Which is a rare, inexplicable talent to have," Randy Newman once said of Nilsson's easy way with complex melodies and counterpoint. I let my subconscious do the editing for me." In 1966 alone, Holland-Dozier-Holland wrote and produced 13 Top 10 R&B singles, from the Supremes' "You Keep Me Hangin' On" to the Four Tops' "I'll Be There." Peter Buck's fluid, arpeggiated guitar runs and sunburst riffs were weaved into Mike Mills' melodic bass lines and Bill Berry's equally musical drumming, creating an evocative compliment for Michael Stipe's impressionistic lyrics. I'll Play The Blues For You (Pts 1 & 2) "I'll Play The Blues For You" is a two-part blues song performed by the American blues musician, Albert King. At a time when many rock songwriters were interested in psychedelic escapism, the Band's Robbie Robertson looked for inspiration in America its history, its myths and its music. When describing popular music artists, honorific nicknames are used, most often in the media or by fans, to indicate the significance of an artist, and are often religious, familial, or most frequently royal and aristocratic titles, used metaphorically.Honorific nicknames were used in classical music in Europe even in the early 19th century, with figures such as Mozart being called "The father . "It is the finest music I have ever heard. . "After seven years of trying to make it as a rock star, I decided to do what I always wanted to do write about my own experiences," he said in 1971, around the time of his debut album, Cold Spring Harbor. Without the blues there'd be no rock'n'roll, but these influential blues songs were especially pivotal. And voila: there they are. Well then they better find out who they're worshiping. One of Nashville's most overtly political songwriters, he was a liberal who recorded "Watergate Blues" and turned a drink in a bar after the 1972 Democratic convention into a Number One country hit called "Old Dogs, Children and Watermelon Wine." Their breakthrough was the 1966 Ray Charles party classic "Let's Go Get Stoned," but once the duo went to work at Motown, romantic love became their sole topic. The popular Disney movie Lion King was released in 1994 and was written by acclaimed lyricist and composer, Tim Rice. As leader of the Impressions, Mayfield's low-key demeanor matched his lithe tenor and restrained, spacious guitar playing that influenced fellow chitlin' circuit veteran Jimi Hendrix' "Little Wing." Her earliest hits honed the electro beats coming out of the New York club scene into universal radio gold. Blackwell subsequently gave Elvis "All Shook Up" and "Return to Sender," and wrote a cluster of hits for other artists, including "Great Balls of Fire" for Jerry Lee Lewis. Songs like "The Night They Drove Old Dixie Down," "Up on Cripple Creek," "The Weight" and "King Harvest (Has Surely Come)" were, as Greil Marcus wrote in Mystery Train, "committed to the very idea of America: complicated, dangerous and alive." Choose the all time best singer. "People. Nat King Cole. THE KING OF MUSIC 2020 - CLIFF RICHARD! "I wrote them about true things." Madonna has enlisted numerous collaborators en route to selling more than 300 million albums she started working with longtime writing partner Patrick Leonard after he brought her "Live to Tell" in 1986, and from Shep Pettibone and William Orbit in the Nineties through Diplo, Avicii and Kanye West on 2015's Rebel Heart, she's worked successfully with producers across many genres. I talk with the artist and find out what they will or won't sing about." "I just wanted to cram everything into a record that these people had ignored. His most indelible songs "Izzo (Hova)," "99 Problems," "Big Pimpin'" mix diamond-sharp rhymes with unshakable hooks. Starting in the early Seventies, Green, working with Hi Records producer Willie Mitchell and guitarist/co-writer Teenie Hodges, created a rich catalog of songs that mixed sacred and profane like no other soul singer of any era. 1. .I had discovered what all writers discover, whether they're told or not, that you could do anything." A former Rhodes scholar, he wrote songs "Sunday Morning Comin' Down," "Help Me Make It Through the Night," "Why Me," "Me and Bobby McGee" that borrowed equally from Nashville and the Dylan-influenced singer-songwriter world. "Being a songwriter is like being a nun," Rolling Stone reported him saying in 2014. Despite her innate sense of craft, the brash-sounding singer was actually a bit sheepish about her idiosyncratic song structures, admitting, "People talk about songwriting clinics and how to construct a song and I'm sitting there thinking, 'I didn't know that!'" "Even as a kid, I always wanted the most words to rhyme," Eminem told Rolling Stone. Between their roaring debut in 1977 and their split in 1983, the duo wrote at a feverish pace, often in Jones' grandmother's flat in a high-rise council estate, bashing out finished songs together as a full band in their rehearsal space. If you have sublime Bach you don't need the others (and we're only half kidding). Over the years, her songs have been covered by everyone from the White Stripes to LeAnn Rimes to Whitney Houston, who had an enormous hit with her version of Parton's ballad "I Will Always Love You." As his friend and former guitarist Danny Kortchmar has said, "They're like Christmas carols. Early songs like "Blowin' in the Wind" became hits for others Peter, Paul & Mary took it Number Two on the Billboard Hot 100 in 1963; Stevie Wonder brought it Number Nine two years later and reshaped the ambitions of everyone from the Beatles to Johnny Cash. . Yet, his stamp is unmistakable a genius for connecting genres and styles, a knack for spinning out Olympian boasts and an ability to make his egomaniacal admissions and conflictions compelling. I love Fats Domino just as much as I like Hank Williams and Lefty Frizzell. "Everything we get is just a gift we can borrow for awhile. He easily takes a spot on our list of best male singers ever. Thanks to his writerly skills, Kristofferson's hang-dog tales of screwups, hangovers, regret and redemption had the epochal feel of novellas, and without him, there would probably be no Steve Earle, Sturgill Simpson or similar country hippies. Unique among their peers, they never stopped, writing Linda Ronstadt and James Ingram's 1986 hit "Somewhere Out There" and Hanson's 1997 Top 10 single "I Will Come to You." But they would never have gone anywhere if Pete Townshend hadn't developed into an endlessly innovative songwriter. "He had this little dance he'd do. He's the weirdo behind "Temporary Secretary" and the feral basher behind "Helter Skelter." For me, Sondheim is one of those. Happy 50th anniversary, Brenda and Eddie. "[I] sit down at the piano and play chords," he told American Songwriter. But his songwriting legacy was sealed for good when Frank Sinatra declared "Something," the group's second-most-covered song after "Yesterday," to be "the greatest love song of the past 50 years." The duo charted deep space inner and outeron early collaborations like "Dark Star." Working together, the duo have pursued their expansive vision from the adolescent cry of "Out of Control" to political anthems like "Sunday Bloody Sunday" to the stadium-shaking roar of "Where the Streets Have No Name" to the funky, danceable "Mysterious Ways" and "Discotheque" all the way through the highly-personable "The Miracle (of Joey Ramone)" from last year's Songs of Innocence. "I don't like to make things too obvious, because it gets stale," Cobain said. "He's the only artist who was able to, basically, feed babies the most elaborate of foods that you would never give a child and know exactly how to break down the portions so they could digest it." Bartholomew also wrote scores of hits for other New Orleans artists, many of which became rock standards: "I Hear You Knocking," "One Night," "I'm Walkin'." A collegiate creative writing student who played covers in bar bands and briefly held a job writing pop song knockoffs in the Brill Building era, Reed drew inspiration both from literature (Sacher-Masoch's Venus in Furs, William Burroughs' Naked Lunch) and his own life for example, the fellow Warhol collaborators that informed quintessential Reed character studies like "Candy Says" and "Walk on the Wild Side." "That second line brass band parade thing. Dr. John told Rolling Stone that, after Lennon and McCartney, Domino and Bartholomew were "probably the greatest team of songwriters ever. ("I get bored when I'm not writing about love," Ashford once said. .He's unique. "The truth is the problem's always been the same, really," he said earlier this year. Years later, a diagnosis of bipolar schizoaffective disorder would help explain his mood swings, recluse years and bizarre relationship with therapist-manager Eugene Landy. Jimi Marsh all Hendrix was born on November 27, 1942, in Seattle, Washington, Guitarist, singer, and songwriter, Jimi Hendrix delighted audiences in the 1960s with his outrageous electric guitar playing skills and his experimental sound. Married songwriting partnerships are hardly rare, but few husband-and-wife teams explored the dynamics of monogamy with the depth and insight of Nick Ashford and Valerie Simpson. ", There's a reason Diamond's songs have been covered by everyone from the Monkees and Smash Mouth to Sinatra. I try not to record them [when] I first hear them. "People know when you do that. One of a group of early Seventies singer-songwriters to get pegged with the unfortunate tag "New Dylan," Prine has written poignant songs of romantic despair ("Speed of the Sound of Loneliness"), songs that sound like centuries-old mountain ballads ("Paradise") and ribald comic masterpieces aimed at advice columns and various crazies. Ashford and Simpson later built on this technique during their own career as performers, expressing doubt on "Is It Still Good to Ya" and affirmation on "Sold (as a Rock)" with equal brilliance. struts into the local junior high and exposes small-town hypocrisy by asking why Mrs. Taylor uses so much ice when her husband's out of town. He was one of rock's first inheritors, and certainly its greatest, because from the start he saw rock & roll as more than music. The melodic and lyrical genius behind Motown's greatest hits is the most influential and innovative R&B tunesmith of all time. ("It all counts," Bacharach said. Eddie Holland, Lamont Dozier and Brian Holland, For the full playlist with all 100 songwriters visit. As he hit his artistic stride on albums like 1972's Talking Book and 1973's Innervisions, he used the recording studio as his palette to create groundbreaking works of soulful self-discovery. As Bjrk said in 2007, "I guess I'm quite conservative and romantic about the power of melodies. Michael Jackson. Early tunes like their debut single "I Can't Explain" and the epochal anthem "My Generation" were fueled by adolescent angst, but with each passing year, Townshend became more and more ambitious, moving from a loose concept record about a pirate radio station (1967's The Who Sell Out) to a groundbreaking rock opera about a deaf, dumb and blind pinball star (1969's Tommy) to a double LP about a young mod facing with a form of split personality disorder (1973's Quadrophenia.) . Whether it's a fleet, planning guitar tune like "Sitting Still" or a luminous ballad like "Nightswimming" or a loopy left-field pop smash like "Stand" the songwriting credit on a golden-era R.E.M. "But things have been good for me for a long time. ", Burt Bacharach studied classical composition with French composer Darius Milhaud and was part of avant-garde icon John Cage's circle. "I had almost like a theater workshop," he said, "where you're casting people in these parts, and that's what my job was then." But to my mind it applies when the most popular artist of the time also happens to be the most . Combined with melodies that can be jubilant, funky or simply gorgeous, Wonder's songs are so enduring that they've been covered by everyone from Sinatra to the Backstreet Boys. "And trying to hold onto what's worthwhile, what makes it a place that's special, because I still believe that it is.
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